Art in the library is an artistic project that intends to
gain knowledge from the past through art activities and the development of
different techniques that combines handwork and digital work.
Due to the fast development of technology and electronic
devices in the last decade, it seems to be almost forgotten about the value of
handmade art.
Art in the library is related to the ongoing project
MUBIL that focuses on disseminating knowledge through today's technology and
the creation of an educational platform where both the physical library and the
virtual library become a place where learning is both interesting and fun
A workshop is a method for learning while communicating,
sharing and developing skills.
As workshop leader, my idea and intention is to inspire
rather than teach, as the content will be transmitted to the students and they
will be the ones that will work and produce the results.
«It is the supreme art of the teacher to awaken joy in
creative expression and knowledge.» Albert Einstein
The workshop wants to combine the illustrations exposed
at the alchemy exhibition taken place at Gunnerus library in 2011 and the
current experiment that Fredrik (need his second name here) is developing for
MUBIL project.
The workshop will start with a short introduction into
alchemy and history based on the book written by Adam Lonitzer (from the
special archive at Gunnerus Library).
This is a journey back to 1700 and to an alchemist
laboratory.
It is important to pass through the information and show
to the new generations that men write history and in past centuries, they had
to be taught and skilled in many artistic disciplines in order to register and
document their experiments and discoveries with the best accuracy possible, so
that future generations could learn and continue the research.
Therefor, the alchemist was not only at the laboratory
room. To document their progressions they used to write diaries, journals and
create their own catalogues to register different spices and subjects.
Mostly of them were good at drawing and very skilled in
the art of typography. The combination of both has given as result amazing
illustrated books for science and medicine, among many other categories.
Art in the library wants to recreate a journey to the
past, into the life of an old alchemist with the use of both traditional and
digital skills, having as main focus the production of a collection of
illustrated books that will be exhibited after the workshop.
The exhibition intends to show the library as a new space
for creation and dissemination of knowledge, in which the roll of the library
can attract all ages to join a reawakening of knowledge through creativity and
collective activities.
Therefor, the library will remain as a place for
collective memory and knowledge for a present and future, together.
DAY 1
STEP 1,2
STEP 1 – The experiment – Introduction, demonstration and
creation of a «sketch-experiment»
All students will attend the physical demonstration of
the experiment, where they are not allowed to use mobile phones, cameras or any
other electronic device, so that they need to pay attention to what is been
told and be able to write down the information and make sketches of the procedures.
This first part wants to enhance the importance of
listening, paying attention and being able to process information. Due to the
use and abuse of mobile phones and smart phones among students since early age,
it is interesting to document how do they manage to go through this first step.
The students will meet at MUBIL room to discuss the
procedures and check out their notes and sketches, so that they can agree and
help each other elaborating an A4 clean version of their experiment sketch
using calligraphic pens on paper.
The sketches original sketches will be displayed in the
book. mixing the handmade results with the printed images.
STEP 2 – The illustrations – Introduction, demonstration
and creation of a set of illustrations Using scraperboards and calligraphic
pens.
Before we start scraping, they will get a sketch paper to
quickly rehearse the techniques for shadowing and line work.
Image 1 – Zoom
Every student will choose a detail from an illustration
catalogue and will reproduce the scene using the different tools.
Image 2 – Instrument
Every student will choose an instrument from an
illustration or used during the experiment procedure. Basic information about
the object will be provided to the student so that every instrument will
provide information to the viewer (name, origin, material, use, extra) Image 3
– Symbol Every student will again choose a symbol/icon from an illustration
that will be reproduced by scraping on the paper foil and will provide
information about the symbol/icon (name, meaning, use, extra) Those who finish
earlier can start another image of type 1, 2 or 3.
DAY 2
STEP 3,4
STEP 3 – The digital lab – Introduction to GIMP, coloring
the images and layout (Before they start working with the digital workshop, all
images will be scanned, saved and prepare to be used in individual folders for
each student – to be done after STEP 2 and before DAY2) Presenting GIMP to the
students (Open Source software for image and edition, alternative to
Photoshop).
Coloring by using bamboo fun and touch graphic tables and
pen, so that the freedom for painting with computer can awaken a new generation
of artists with digital skills too.
Working with layout and composition of the pages to be
printed, combining both images and texts Preparing files to be printed
implicate a basic knowledge about document saving options and printing
possibilities for professional printing.
DAY 2 (will need a couple of extra hours for a DAY 3)
STEP 4 – Bookbinding – Introduction to bookbinding - creating the book
Introduction seminar and showing examples of bookbinding made at Gunnerus
library Creating the book using the traditional tools can develop new skills in
the students and will, for sure, teach them about the work behind a book
production.
The fact of creating an own book that will be exhibited
can inspire the students to achieve remarkable results with their pieces.
Bookbinding workshop may need a third day of workshop
just to prepare the books, since they need to dry for more than 24 hours after
using lime glue.
The last step of this workshop includes the decoration of
the book covers with different materials.
Project leader
Irene D. Marquez